Tony has over 25 years’ experience in large and complex mergers, acquisitions and capital markets transactions in Australia, advising many of Australia’s largest companies and private equity firms.
Tony is a Director of The Australian Ballet and a member of the Australian Government Takeovers Panel. Prior to his career in investment banking, Tony practised as a lawyer at Herbert Smith Freehills in Melbourne.
Tony was a Director and Acting Chair of Orchestra Victoria before it was acquired by The Australian Ballet in 2014.
In demand as an executive producer for organisations and as a creative producer of interdisciplinary work, Michaela has worked with many of Australia’s most exciting arts organisations, including The Substation Lucy Guerin Inc, Speak Percussion, Marrugeku and The Performance Space. Michaela is highly regarded as a board member and member of funding selection panels. Work in this area has included: MESS Board, APHIDS, New Music Network Board, Dancehouse Board, PACT Board, Ausdance NSW Board, City of Yarra Room to Move Panel and YAARTS, Creative Victoria advisory panels and Australia Council funding panels including Going Global, APAM, Dance Fund and Playing Australia.
In the visual arts he has exhibited works at the RoslynOxley9 (Sydney), Centre for Contemporary Photography (Melbourne), Gallery of Modern Art (Brisbane) and Salamanca Arts Centre (Hobart) as well as galleries in Germany, Taipei and New Zealand. His interactive installation CRT;Hommage to Leon Theremin received an honourable mention in the National New Media Art Award 2012 and has been acquired by the Australian Synchrotron. The recent work Colour Organ had it’s first installation at MONA Hobart.
Public art projects include designing and building a Giant Theremin for the City of Melbourne, a seven metre tall interactive musical sculpture; the White Beam project commissioned by Dark Mofo which shot a high powered white laser beam through the trees on Salamanca lawns; developing a hybrid sound/dance work A Small Prometheus with Stephanie Lake involving fire powered kinetic musical sculptures which had a sell-out seasonat the 2013 Melbourne International Arts Festival and sound/light design for Lee Serle’s SYNC at the Lyon Opera Ballet. A new work ‘Transducer’ for microphones, speakers and percussionists co-composed with Eugene Ughetti was recently premiered at Totally Huge New Music Festival in Perth.
He has collaborated with some of the world’s leading improvisers and directors from Anthony Pateras, Jon Rose, Jerome Noetinger, Oren Ambarchi and Lasse Marhaug to Gideon Obarzanek, Antony Hamilton, Lucy Guerin and Stephanie Lake. He has released numerous sound works on labels across Europe, Australia and the US and recently released a limited digital edition of a new AV work Magnetic Trap through s[edition] in the UK.
He also holds a PhD in composition from Monash University and an MA in musicology which documents the history of experimental music in Melbourne 1975-1979.
After an interest in synthesis at a young age, Scullin was mentored by producer and composer Francois Tetaz. He has since been involved in almost all aspects of audio in his twenty year career, contributing sound to feature films such as Wolf Creek, contemporary dance productions by Lucy Guerin, Gideon Obarzanek, and Lee Serle, and theatre works by David Chisholm, Chamber Made Opera, and Arena Theatre Co. He has created installations for museums and galleries - including Creation Cinema as part of First Peoples at the Melbourne Museum - and produced, engineered and mastered numerous Australian and international recordings. He also works as a sound educator at RMIT and Melbourne University.
A prolific collaborator, Scullin has worked closely with audio-visual artist Robin Fox and video artist Daniel Crooks, as well as Australian composers Anthony Pateras, Marco Fusinato, and Oren Ambarchi. He’s also helped realise sound for notable international artists including Bernard Parmegiani, Tony Conrad, and Steven O’Malley.