Wiradjuri artist, Tyler Wilay, explores experimental process driven performance in a fragmented age of saturated creative content. Through the use of oral storytelling, voice manipulated control voltage, textural spasms & rapidly shifting stylistic elements, Tyler grapples with the intersecting tensions of Aboriginal identity, trauma of Country/Earth systems, the body as a weapon against capital, personal experience within carceral systems as well as a yearning optimism fueled by the impossibly complex nature of the mundane.