Sara Retallick is an artist whose work explores multisensory listening as a core concern by creating tactile sonic encounters in audio and object-based installation, multichannel sound system arrangements, and performance.
When {!{types field='date' style='text' format='F j, Y g:i a'}!}{!{/types}!} Venue {!{types field='venue-name'}!}{!{/types}!} {!{types field='venue-address'}!}{!{/types}!} Photo Credit Photo Credit '] MESS was back at The Substation with the sixth iteration of our Sonorous multi-channel commissions. This immersive concert featured two extraordinary…
Our Synth Spotlight for October comes from MESS Studio Manager and all-round legend Lauren SquireThe Vermona PERfourMER is one of my favourite synths. With its unique play modes allowing you to select between polyphonic, duophonic and monophonic this synth can…
Studio supervisor Jonnine talks you through the Korg PS-3200The Korg PS-3200 is a giant semi-modular fully polyphonic sibling to the revered MS-20, both released in 1978. What I find so attractive about the PS3200 is its versatility. Leads and pads…
Camilla Hannan Focusing on contemporary and avant-garde music, Ashley embraces microtonality and improvisation. She's a teaching artist, chamber musician and soloist who lives in Los Angeles. How did you first get involved with synths and electronic sound? I first got…
Benjamin Carey National Artist in Residence, July 2022 Benjamin Carey is a Sydney-based composer, improviser and educator. He makes electronic music using the modular synthesiser, develops interactive music software and creates audio-visual works. How did you first get involved with…
When {!{types field='date' style='text' format='F j, Y g:i a'}!}{!{/types}!} Venue {!{types field='venue-name'}!}{!{/types}!} {!{types field='venue-address'}!}{!{/types}!} Photo Credit Photo Credit '] Each year the MESS commission program gives selected artists full access to the MESS collection of instruments with the provocation to…