Robin Fox is a leading Australian audio-visual artist working across live performance, exhibitions, public art projects and designs for contemporary dance. His laser works which synchronize sound and visual electricity in hyper-amplified 3D space have been performed in over 50 cities worldwide. The new manifestation of this workRGB LASER SHOW premiered at Mona Foma 2014 (Hobart) and recently featured at Tramway (Glasgow), Vivid Festival (Sydney) and the Barbican (London). His groundbreaking work with Chunky Move Dance Company has contributed to the work Mortal Engine receiving a Helpmann award for best visual production and an honourable mention at the the illustrious Prix Ars Electronica 2009. Other works with Chunky Move include Gideon Obarzanek’s Connected, Antony Hamilton’s Keep Everything and Stephanie Lake’s Aorta. His recent sound work Interior Design: Music for the Bionic Ear in association with ANAT and the Bionic Ear Institute, was shortlisted for a Future Everything award in the UK 2011 and selected by the Paris Rostrum of Composers in 2012.
In the visual arts he has exhibited works at the RoslynOxley9 (Sydney), Centre for Contemporary Photography (Melbourne), Gallery of Modern Art (Brisbane) and Salamanca Arts Centre (Hobart) as well as galleries in Germany, Taipei and New Zealand. His interactive installation CRT;Hommage to Leon Theremin received an honourable mention in the National New Media Art Award 2012 and has been acquired by the Australian Synchrotron. The recent work Colour Organ had it’s first installation at MONA Hobart.
Public art projects include designing and building a Giant Theremin for the City of Melbourne, a seven metre tall interactive musical sculpture; the White Beam project commissioned by Dark Mofo which shot a high powered white laser beam through the trees on Salamanca lawns; developing a hybrid sound/dance work A Small Prometheus with Stephanie Lake involving fire powered kinetic musical sculptures which had a sell-out seasonat the 2013 Melbourne International Arts Festival and sound/light design for Lee Serle’s SYNC at the Lyon Opera Ballet. A new work ‘Transducer’ for microphones, speakers and percussionists co-composed with Eugene Ughetti was recently premiered at Totally Huge New Music Festival in Perth.
He has collaborated with some of the world’s leading improvisers and directors from Anthony Pateras, Jon Rose, Jerome Noetinger, Oren Ambarchi and Lasse Marhaug to Gideon Obarzanek, Antony Hamilton, Lucy Guerin and Stephanie Lake. He has released numerous sound works on labels across Europe, Australia and the US and recently released a limited digital edition of a new AV work Magnetic Trap through s[edition] in the UK.
He also holds a PhD in composition from Monash University and an MA in musicology which documents the history of experimental music in Melbourne 1975-1979.
The work of Melbourne practitioner Byron Scullin explores the technological representation and amplification of sound as well as its properties as a physical presence. Operating in an ambiguous space where sound transitions into noise, Scullin’s sonic environments offer an experience of mass and multiplicity, often representing attempts to hear the unhearable.
After an interest in synthesis at a young age, Scullin was mentored by producer and composer Francois Tetaz. He has since been involved in almost all aspects of audio in his twenty year career, contributing sound to feature films such as Wolf Creek, contemporary dance productions by Lucy Guerin, Gideon Obarzanek, and Lee Serle, and theatre works by David Chisholm, Chamber Made Opera, and Arena Theatre Co. He has created installations for museums and galleries - including Creation Cinema as part of First Peoples at the Melbourne Museum - and produced, engineered and mastered numerous Australian and international recordings. He also works as a sound educator at RMIT and Melbourne University.
A prolific collaborator, Scullin has worked closely with audio-visual artist Robin Fox and video artist Daniel Crooks, as well as Australian composers Anthony Pateras, Marco Fusinato, and Oren Ambarchi. He’s also helped realise sound for notable international artists including Bernard Parmegiani, Tony Conrad, and Steven O’Malley.
Ross has been heavily involved with electronic music since the early 90s'. Releasing recordings for labels all around the globe (currently 27 albums released) under many different names (This Digital Ocean, Amnesia, Siko Spunji, Roland Oberheim, Ryou Oonishi, 56k, De-Elevator, Cray and Vicmod ENSemble) covering many styles of electronic music, Avant improv electronics, Experimental computer music, Noise, Industrial, Techno, Ambient, IDM and Drum n Bass.
As well as his lust for electronic music making , Ross has also co-run Global Warming (popular club in the late 90's), written for Digital magazine, remixed (demixed) artists work, designed web page sounds, had his music used in
TV shows and commercials and has performed live around the globe.
Ross is also the founding member of VICMOD, 12 years running, monthly modular synth meet.