_________________________________________________________________ || | | ||| | ||| | | ||| | ||| | | ||| | ||| | | ||| | ||| | | || ||_|_|_|||_|_|||_|_|_|||_|_|||_|_|_|||_|_|||_|_|_|||_|_|||_|_|_|| | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | | |_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_|_| Siick Ascii art by Dan and Prue. MESS legends 2023.

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Sooji Kim

Studio Supervisor

Sooji is a Naarm-based musician creating works that explore adventurous sonic territories through performance, composition and spatialised sound installations. Working primarily with synthesisers and electronics, she embraces the unexpected outcomes that arise from collaboration and improvisation.

Influenced by diverse sources such as classical music and early electro-acoustic composers, Sooji’s intuitive approach to composition creates works that sit outside of traditional genre classification and often manifest as surreal sonic landscapes.

Sooji is a member of Stathis//Davey//Kim, a composer collective creating large-scale outdoor sound works with analogue synthesisers (Mona Foma 2020, 2021). The composers were recipients of the Creators Fund Grant in 2022 and were commissioned to compose a quadrophonic work for synthesiser orchestra and Grand Organ for the Now or Never Festival 2023.

Favourite MESS Memory

MSO - both Magnitudes and at Now or Never 2023. Such a special opportunity to be in a mega ensemble, with an orchestra of synthesisers.

Top three instruments at MESS
Transaudio, Serge Paperface, EMS VCS-3

MESS Staff